Highdesign backpack women3/17/2023 This is design,” says Burke, speaking from his Paris office. Made to order or produced in small quantities, requiring buyers to wait months in anticipation of their delivery, they appeal to customers who prefer privacy and calm appreciation. Objets Nomades are not of that busy world. Women’s artistic director Nicolas Ghesquière’s armor-like gowns, meanwhile, bring the house plaudits from red carpets Agathe Rousselle, the breakout star of the 2021 Palme d’Or–winning film Titane, has been wearing Ghesquière-designed looks to the movie’s premieres and film festivals all around the globe. Virgil Abloh, artistic director for menswear, has reinvigorated the fashion and monogram-covered luggage and accessories, splashing the bags with colorful cartoonish drawings and creating clothes with a haute-streetwear vibe that have been adopted as a uniform for rappers and are worn by stars from Jay-Z to Timothée Chalamet. Its logo bags and wallets are ubiquitous in airports and shopping malls around the world, priced so those hungering for upper-class status symbols can afford them on a splurge. Credit: Stevens FrémontĪs a brand, Vuitton has embraced mass consumerism and pop culture while maintaining its high-fashion bona fides. Tropicalist vase by Campana Brothers, ,200. Louis Vuitton Is Dedicating Its Upcoming Runway Show to the Life and Legacy of Virgil AblohĪ Brief History of Virgil Abloh's Indelible Impact on Fashion, Culture and Beyondįlash Mob Robbers Ransack Louis Vuitton and Nordstrom Stores in San Francisco and Chicago And in the process, Objets Nomades may also be stoking one of the luxury industry’s longest and fiercest rivalries. In the past nine years, the collection has come to include a trove of covetable furniture and home accessories conceived by some of the biggest names in the business-from Atelier Oï’s woven leather hammock for $48,500 to the Campana Brothers’ Bulbo chair, resembling the blooming petals of an exotic flower, available in raspberry and other colors for $103,000-that are upping the brand’s design cachet and drawing in a new, young, hyper-affluent clientele. Louis Vuitton introduced the first of these pieces in 2012 and now calls them Objets Nomades-a name chosen because each object is in some way inspired by travel, harkening back to those original trunks. “In this digitalized world,” Burke tells Robb Report in an exclusive interview via Zoom, “I think that is something that is going to become more and more precious.” He hoped they might become as iconic in the 21st century as the original 19th-century Louis Vuitton steamer trunks-rare and beautiful objects created for a discerning clientele. So Burke, an American who had completed stints at Dior, Fendi and Bulgari, kindled the concept of producing a new line, inspired by these props, that would serve not only as seats, lamps and end tables but also as collectible high design. When Michael Burke arrived as chairman and chief executive of Louis Vuitton in 2012, an idea had been bouncing around the French luxury-goods maker for several years: Why not sell the many furnishings that decorated the legacy brand’s stores? The sticking point had always been that the items were the equivalent of theatrical props-luxurious-looking tables and chairs that lacked the functional design and safety certifications to allow them to be manufactured or sold to the public.
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